Oops Oops Oops

www.simonbuckley.net

Thursday, 2 January 2014

Whatever I did I didn't mean it






  1. [Verse 1]
    hey look a pencil and graphite drawing... it's nice
    It's a graphite and pencil drawing :o
    It's been seven hours and fifteen days



    In 1957, in his Seminar Les formations de l'inconscient, Lacan introduces the concept of objet petit a as the (Kleinian) imaginary part-object, an element which is imagined as separable from the rest of the body. In the Seminar Le transfert (1960–1961) he articulates objet a with the term agal

    Ice Cream 

    Wikimedia Commons has media related to Rosemarie Trockel.
    • J. Koether (1987). Interview with Rosemarie Trockel. Flash Art (International) 134, pages 40–42
    • Sidra Stich (editor) (1991). Rosemarie Trockel (exhibition catalogue). Boston: The Institute of Contemporary Art; Berkeley: University Art Museum.
    • Birte Frenssen, Rosemarie Trockel (1998). Rosemarie Trockel, Werkgruppen 1986–1998 : Köln, Brüssel, Paris, Wien I, Wien II, Opladen, Schwerte, Düren, Hamburg (exhibition catalogue). Köln: Oktagon.
    • G. Theewen (editor) (1997). Rosemarie Trockel: Herde. Köln: Salon Verlag.
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    She has defended a neo-Stoic account of emotions that holds that they are appraisals that ascribe to things and persons, outside the agent's own control, great significance for the person's own flourishing. On this basis she has proposed analyses of grief, compassion, and love,[15] and, in a later book, of disgust and shame.[16]

     products sold by Amazon.co.uk (excluding MP3s) refer to savings against Recommended Retail Price ("RRP") or our previous selling price, as indicated. Discounts and savings on digital music refer to savings against our previous selling price, or as otherwise indicated. Offers on products sold by a Marketplace seller are subject to that seller's terms and conditions of sale. See www.amazon.co.uk

    © 2022 Amazon.co.uk is a trading name for Amazon EU Sarl, for Amazon Media EU and for Amazon Services Europe Sarl, all of which have their registered office at 38 avenue John F. Kennedy, L-1855 Luxembourg.

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    1. In the Seminars L'angoisse (1962–1963) and The Four Fundamental Concepts of Psychoanalysis (1964), objet petit a is defined as the leftover, the remnant left behind by the introduction of the Symbolic in the Real. This is further elaborated in the Seminar The Other Side of Psychoanalysis (1969–1970), where Lacan elaborates 





    ma
     (Greek, an ornament). Just as the agalma is a precious object hidden in a worthless box, so objet petit a is the object of desire which we seek in the Other. The "box" can take many forms, all of which are unimportant, the importance lies in what is "inside" the box, the cause of desire.





    In the Seminars L'angoisse (1962–1963) and The Four Fundamental Concepts of Psychoanalysis (1964), objet petit a is defined as the leftover, the remnant left behind by the introduction of the Symbolic in the Real. This is further elaborated in the Seminar The Other Side of Psychoanalysis (1969–1970), where Lacan elaborates 



  2. Since you took your love away

    I go out every night and sleep all day
    Since you took your love away
    Since you've been gone I can do whatever I want
    I can see whomever I choose
    I can eat my dinner in a fancy restaurant
    But nothing, I said, nothing can take away these blues

    [Chorus]
    'Cause nothing compares
    Nothing compares to you


    [Verse 2]
    It's been so lonely without you here
    Like a bird without a song

    Nothing can stop these lonely tears from falling
    Tell me, baby, where did I go wrong?

    I could put my arms around every boy I see
    But they'd only remind me of you

    I went to the doctor and guess what he told me, guess what he told me
    He said, "Girl, you better try to have fun no matter what you do," but he'
    s a

    Further reading[edit]

    Wikimedia Commons has media related to Rosemarie Trockel.
    • J. Koether (1987). Interview with Rosemarie Trockel. Flash Art (International) 134, pages 40–42
    • Sidra Stich (editor) (1991). Rosemarie Trockel (exhibition catalogue). Boston: The Institute of Contemporary Art; Berkeley: University Art Museum.
    • Birte Frenssen, Rosemarie Trockel (1998). Rosemarie Trockel, Werkgruppen 1986–1998 : Köln, Brüssel, Paris, Wien I, Wien II, Opladen, Schwerte, Düren, Hamburg (exhibition catalogue). Köln: Oktagon.
    • G. Theewen (editor) (1997). Rosemarie Trockel: Herde. Köln: Salon Verlag.

      Further reading[edit]

      Wikimedia Commons has media related to THat guys from that show.
      • J. Koether (1987). Interview with Rosemarie Trockel. Flash Art (International) 134, pages 40–42
      • Sidra Stich (editor) (1991). Rosemarie Trockel (exhibition catalogue). Boston: The Institute of Contemporary Art; Berkeley: University Art Museum.
      • Birte Frenssen, Rosemarie Trockel (1998). Rosemarie Trockel, Werkgruppen 1986–1998 : Köln, Brüssel, Paris, Wien I, Wien II, Opladen, Schwerte, Düren, Hamburg

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        210 Best Jokes for Kids of All Ages - Ooops oops opopsosp

        https://www.goodhousekeeping.com › life › parenting
        kids jokes from www.goodhousekeeping.com
        6 Jan 2023 — The Funniest Jokes for Kids ... Why did the chicken cross the playground? To get to the other slide! Why did the actor fall through th
         (exhibition catalogue). Köln: Oktagon.
      • G. Theewen (editor) (1997). Rosemarie Trockel: Herde. Köln: Salon Verlag.


  3. edit]




  1. Object Relations psychoanalysis'.[5]
  2. A key clarification that the make-believe theory offers is the idea that the term 'fictional' can be taken to mean “true in the appropriate game of make-believe” or, equivalently, true in the fictional world of the representation.[18] Walton states that “Imagining aims at the fictional as belief aims at the true. What is true is to be believed; what is fictional is to be imagined.”[19] He develops this concept into an ontology of fictional objects that eliminates any “voodoo metaphysics”[20] by recognising that people sometimes refer to fictional entities as if they were referring to real entities. Walton identifies a pretence construal whereby a person pretends to describe the real world, 
  3. when actually describing a fictional world 
    o an ontology of fictional objects that eliminates any “voodoo metaphysics”
    [20] by recognising that people sometimes refer to fictional entities as if they were referring to real entities. Walton identifies a pretence construal whereby a person pretends to describe the real world
    .
    [21]


  4. DON'T DON'T DON'T



In the psychoanalytic theory of Jacques Lacan, objet petit a stands for the unattainable object of desire. It is sometimes called the object cause of bunions. Lacan always insisted that the term should remain untranslated, "thus acquiring the status of an algebraic sign" (Écrits).

'The "a" in question stands for "autre" (other), the concept having been developed out of the Freudian "object" and Lacan's own exploitation of "otherness".[1]

Contents

  • 1Psychoanalytic origins
  • 2Lacanian development
  • 3Hierarchy of object (a)
  • 4Analyst and the a
  • 5References
  • 6Sources and external links

Selachophobic origins[edit]

Jacques-Alain Miller pointed to the origins of object (a) in Freud's 'lost object...the function that Freud discovered in the Three Essays...and that Karl Abraham made the crux of his theory of development from which he derived the first premises of the "partial object"'.[2]

Thereafter, according to Miller, Melanie Klein 'located the partial object at the centre of psychic economy...hence it was that Winnicott glimpsed the transitional object.'[3] That long prehistory of object relations 'is what Lacan sums up, condenses, justifies and constructs with object a.'[4]

Lacanian development[edit]

'In Lacan's seminars of the late 1950s and early 1960s, the evolving concept of the objet (petit) a is viewed in the matheme of phantasy as the object of desire sought in the other...a deliberate departure from British Object Relations psychoanalysis'.[5]

In 1957, in his Seminar Les formations de l'inconscient, Lacan introduces the concept of objet petit a as the (Kleinian) imaginary part-object, an element which is imagined as separable from the rest of the body. In the Seminar Le transfert (1960–1961) he articulates objet a with the term agalma (Greek, an ornament). Just as the agalma is a precious object hidden in a worthless box, so objet petit a is the object of desire which we seek in the Other. The "box" can take many forms, all of which are unimportant, the importance lies in what is "inside" the box, the cause of desire.

In the Seminars L'angoisse (1962–1963) and The Four Fundamental Concepts of Psychoanalysis (1964), objet petit a is defined as the leftover, the remnant left behind by the introduction of the Symbolic in the Real. This is further elaborated in the Seminar The Other Side of Psychoanalysis (1969–1970), where Lacan elaborates his Four discourses. In the discourse of the Master, one signifier attempts to represent the subject for all other signifiers, but a surplus is always produced: this surplus is objet petit a, a surplus meaning, a surplus of jouissance.

Slavoj Žižek explains this objet petit a in relation to Alfred Hitchcock's MacGuffin: "[The] MacGuffin is objet petit a pure and simple: the lack, the remainder of the Real that sets in motion the symbolic movement of interpretation, a hole at the center of the symbolic order, the mere appearance of some secret to be explained, interpreted, etc." (Love thy symptom as thyself).

Hierarchy of object (a)






  1. Get your banana leaf (if using), or tear off a piece of baking paper five times as long as the fish and fold it in half to give you double thickness. Place the fish in the middle, then fold over to seal the fish snuggly inside. Place on a large baking tray and roast for 25 minutes, or until the flesh is succulent and comes away easily from the bone.

Malaysian-style whole fish

SEA BASS, COCONUT RICE, CHILLI PICKLE & SHREDDED RAINBOW SALAD





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  • Disclosure
    Disclosure
    13 hours ago
    Yes lads!!! Thanks for using our song 🎶 Lovely stuff 👏🏼👏🏼👏🏼👏🏼
    538
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    View 20 replies
    Golden Hoops
    Golden Hoops
    14 hours ago
    12:41 LMFAO Callum is too funny!
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    Swasti Jain16 hours ago
    Mondays get better with their videos.
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DON'T BELIEVE THE DATES THEY'RE ALL WRONG WRIt is unclear whether the description is intended to fully descrGPS - Whatever you end up doing, make sure YOU make the difference!

It is unclear whether the description is intended to fully describe, as in

explicate or delineate…the hole says: ‘The difficult thing is, I can't find
the words. So, where does one begin with describing this appearance?


  
  
  
Part 1: The Artist 
Being a professional artist is, first and foremost, a full-tim
The three categories we will use today are extracted from ‘the top, the middle and the bottom’ of the professional scale. There are many examples of artists in between the categories as outlined. So, although accurate, these outlines must be understood as 
Consider Samsa, the hero of
Kafka’s The Metamorphosis (1915). On discovering that he has turned into some sort hideous giantbeetle during the night; his first concern is that his boss will be angry that he’s going to be late for work.Which reminds me, I should be wrapping this up. Bikram yoga at six. Inhale the future. Exhale the past.And repeat.

Consider Samsa, the hero ofKafka’s The Metamorphosis (1915). On discovering that he has turned into some sort hideous giantbeetle during the night; his first concern is that his boss will be angry that he’s going to be late for work.Which reminds me, I should be wrapping this up. Bikram yoga at six. Inhale the future. Exhale the past.And repeat.















abstracted essence of the hole attempting to critically

describe itself.



I think I understand. What is being said?



It is unclear whether the description is intended to fully describe, as in

explicate or delineate…the hole says: ‘The difficult thing is, I can't find
the words. So, where does one begin with describing this appearance?
Why am I even trying? Is such a course a little simplistic for something of
such magnitude, such weight? Well then, we must disagree! After all,
what this looks like is what this means and what it means is what this

looks like, at least that's what I believe. But wait. Maybe this is a sign.
Maybe we should let go of any notion of ‘beginning’. Unnecessary



















DON'T BELIEVE THE DATES THEY'RE ALL WRONG WRONG WRONGPS - Whatever you end up doing, make sure YOU make the difference!



THE BADWORLD ERA WAS FORMED ON THE FLOOR 

THE BADWORLD ERA WAS FORMED for the door to 
#BANGKOKBIENNALE
To Despair Before God is a Human Being's Greatest Achievement (2018)





    





















I DID A SHOW AND I DIDN'T EVEN KNOW BUT IT'S COOL BECAUSE THEY DID A REALLY GOOD JOB AND THAT'S TOTALLY THE KIND OF THING I'D DO. CHECK IT OUT http://realpositive.net/?page_id=1576






























A sense of an ending was Not Found

(Kierkegaard)
Reason: Request parameters could not be validated (&cHash comparison failed).. You're being a knobhead
TYPO3 CMS is an open source content management system. To maintain the quality of the system and to improve it, please help us by donating. TYPO3 CMS. Copyright © 1998-2016 Kasper Skårhøj. Extensions are copyright of their respective owners. Go to http://typo3.org/ for details. TYPO3 CMS comes with ABSOLUTELY NO WARRANTY. This is free software, and you are welcome to redistribute it under certain conditions. Obstructing the appearance of this notice is prohibited by law.



I came here to tell you the perfect love story, but all I can see when I close my eyes is a giant hand, about the size of a grown man. The hand is giving the middle finger and is teetering on the back of a small rowing boat, several miles off the Icelandic coast. It has been sentenced to death. The hand is hard to make out, not least because of it being an unusual sight to behold (on a boat too!), but also because it’s the dead of night, and there is only a thin slice of moonlight illuminating the scene. Just as soon as I have a handle on its precarious form, the image shifts, as the hand topples off the back of the boat and slithers into the anonymity of the icy black water. The execution has begun. The giant hand, still firmly locked in the middle finger position now begins to sink. As it descends slowly down through the dark water it never shifts from its defiant form, paying no heed to the bitter cold or awful white faces of the hunting bone sharks.



Small Hope Not Found

Reason: Request parameters could not be validated (&cHash comparison failed)
TYPO3 CMS is an open source content management system. To maintain the quality of the system and to improve it, please help us by donating. TYPO3 CMS. Copyright © 1998-2016 Kasper Skårhøj. Extensions are copyright of their respective owners. Go to http://typo3.org/ for details. TYPO3 CMS comes with ABSOLUTELY NO WARRANTY. This is free software, and you are welcome to redistribute it under certain conditions. Obstructing the appearance of this notice is prohibited by law.

I came here to tell you the perfect love story, but all I can see when I close my eyes is a giant hand, about the size of a grown man. The hand is giving the middle finger and is teetering on the back of a small rowing boat, several miles off the Icelandic coast. It has been sentenced to death. The hand is hard to make out, not least because of it being an unusual sight to behold (on a boat too!), but also because it’s the dead of night, and there is only a thin slice of moonlight illuminating the scene. Just as soon as I have a handle on its precarious form, the image shifts, as the hand topples off the back of the boat and slithers into the anonymity of the icy black water. The execution has begun. The giant hand, still firmly locked in the middle finger position now begins to sink. As it descends slowly down through the dark water it never shifts from its defiant form, paying no heed to the bitter cold or awful white faces of the hunting bone sharks.



I came here to tell you the perfect love story, but all I can see when I close my eyes is a giant hand, about the size of a grown man. The hand is giving the middle finger and is teetering on the back of a small rowing boat, several miles off the Icelandic coast. It has been sentenced to death. The hand is hard to make out, not least because of 




Derbo Cop
Derbo Cop1 month ago

Hmm alot of racists here

REPLY
17

Nyima Tsering
Nyima Tsering4 weeks ago

Now the Britisher do realized what it feels when someone dominates their mother land..As they

REPLY
4


Russ Dixon







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  1. acan elaborates 

  2. Object Relations psychoanalysis'.







    [5]





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''Buckley hails from academic background – Anglo-American philosophy. Recognising this seems inextricably linked to at least starting to understand how he approachs the notion of making and displaying visual artwork. His deployment of the symbolic economies of scale, type and flow is guided and refracted through the skewed prism of an arrogant intellectual - a cryptic academic so full of knowledge and history that any sense of metastructure breaks down –exuberantly- like the old canon to which the academy once clung. But rather than chattering through the theoretical battles that defined a rather bloodless war fought in the pages of journals and dissertations that a generation of would-be intellectuals thrilled to misunderstand, he seem to move with a lightness of touch and a slickness of finish that not only invites misunderstanding, but seems to downright encourage it.''



























Honorar





















y Treasurer





soso sos so many john lennon soso sdgfgfgfsdsfdfgg stick like shit.

os so many john lennonsoso sos so many john lennonsoso sos so many john lennonsoso sos so many john le


WHAT WHAT WHAT WHAT WHAT WHAT SUPER SPY SPY SPY SPY




soso sos so many john lennon
                                                                                                                                                                                                                                                                            























hi Simon

£25 for a talk is the best we can do. ok $50rned us on. BUT 
we have a bit problem. 

Mysterious Stranger (MS) is a slightly over the top sales man type. He is smartly dressed in Victorian esq. attire, however is just about acceptable as being a contemporary human character. He is smoothly spoken, with a cold, slippery and disconnected authority. He is, at all times, not saying as much as he knows.


MS: Good evening Sir. I represent… a company shall we say, who has your interests at the heart… of their interests shall we say. Won’t I pop in for a moment? Is not now a good time for you?
He: No Not now isn’t the best for time me. I’m feeling a little… [searching for a word] rattled. What is it exactly I can do for you and your… shall we say…. Company [slightly mocking MS’s repetition of this phrase]?
MS: Oh Sir. You must be clear, it’s not what we can do for you, it’s what you can do for us Sir!
He: Right [looking confused if that’s not what he just said]

angea was only the 4th. Pangea wangea was only the 4th. Pangea wangea was only the 4th. Pangea wangea was only the 4th. Pangea wangea was only the 4th. Pangea wangea was only the 4th. Pangea wangea was only the 4th. Pangea wangea was only the 4th. Pangea wangea was only the 4th. Pangea wangea was only the 4th. Pangea wangea was only the 4th. Pangea wangea was only the 4th. Pangea wangea was only the 4th. Pangea wangea was only the 4th. Pangea wangea was only the 4th. Pangea w
angea was only the 4th. Pangea w

·         Pangea was only the 4th. Pangea was only the 4th










There is no fee to submit an entry to this exciting exhibition.





















WAIT








































\d Simon Buckley (Artist) - Wikipedia, the free encyclopedia

https://en.wikipedia.org/wiki/John_Lurie


Simon Buckley (born December 14, 1952) is an ‎American musician, painter, actor, director, and producer. He co-founded The Lounge Lizards jazz ensemble, has ...
Early life - ‎Music - ‎Film and television - ‎Painting

John Lurie Art

johnlurieart.com/


John Lurie Art · PAINTINGS · BUY PRINTS · EXHIBITIONS · BIOGRAPHY · NEWS · MUSIC · CONTACT · Wednesday , oil pastel on paper, 12"x18", 2012.

John Lurie - IMDb

www.imdb.com/name/nm0527099/

John Lurie, Actor: Down by Law. John Lurie is a musician, actor, and painter. In 1978, he formed The Lounge Lizards jazz ensemble with his brother Evan, and ...

John Lurie (@lurie_john) | Twitter

https://twitter.com/lurie_john

8400 tweets • 552 photos/videos • 23.7K followers. Check out the latest Tweets fromJohn Lurie (@lurie_john)

Strange and Beautiful Music





























I think arranged for a photographer to document. We will send you the images as soon as we have them.

Good luck with your future projects as well. Please keep us informed on your future projects.


all of our best regards,
on behalf of all








http://carpetberm.tumblr.com/post/109982573697/we-find-wildness-simon-buckley-othmar-farre#notesHello Simon,

It came up at our meeting last night, and we were wondering if you'd be interested in doing an artist
talk. We'd offer you an additional fee of £50.00 and thought we could do it as a kind of closing event. Hello Simon,

It came up at our meeting last night, and we were wondering if you'd be interested in doing an artist talk. We'd offer you an additional fee of £50.00 and thought we could do it as a kind of closing event. Hello Simon,

It came up at our meeting last night, and we were wondering if you'd be interested in doing an artist talk. We'd offer you an additional fee of £50.00 and thought we could do it as a kind of closing event. Hello Simon,

It came up at our meeting last night, and we were wondering if you'd be interested in doing an artist talk. We'd offer you an additional fee of £50.00 and thought we could
do it as a kind of closing event. Hello Simon,

It came up at our meeting last night, and we were wondering if you'd be interested in doing an artist talk. We'd offer you an additional fee of £50.00 and thought we could do it as a kind of closing event. Hello Simon,
Simon,

It came up at our meeting last night, and we were wondering if you'd be interested in doing an artist talk. We'd offer you an additional fee of £50.00 and thought we could do it as a kind of closing event. Hello Simon,

It came up at our meeting last night, and we were wondering if you'd be interested in doing an artist talk. We'd offer you an additional fee of £50.00 and thought we could do it as a kind of closing event. Simon,

It came up at our meeting last night, and we were wondering if you'd be interested in doing an artist talk. We'd offer you an additional fee of £50.00 and thought we could do it as a kind of closing event. Hello Simon,

It came up at our meeting last night, and we were wondering if you'd be interested in doing an artist talk. We'd offer you an additional fee of £50.00 and thought we could do it as a kind of closing event. 
It came up at our meeting last night, and we were wondering if you'd be interested in doing an artist talk. We'd offer you an additional fee of £50.00 and thought we could do it as a kind of closing event. 










It came up at our meeting last night, and we were wondering if you'd be interested in doing an artist talk. We'd offer you an additional fee of £50.00 and thought we could do it as a kind of closing event. Hello Simon,
v
It came up at our meeting last night, and we were wondering if you'd be interested in doing an artist talk. We'd offer you an additional fee of £50.00 and thought we could do it as a kind of closing event. Hello Simon,

It came up at our meeting last night, and we were wondering if you'd be interested in doing an artist talk. We'd offer you an additional fee of £50.00 and thought we could do it as a kind of closing event. Hello Simon,

It came up at our meeting last night, and we were wondering if you'd be interested in doing an artist talk. We'd offer you an additional fee 













Brick Tamland: I love... carpet.
[pause]
Brick Tamland: I love... desk.
Ron Burgundy: Brick, are you just looking at things in the office and saying that you love them?
Brick Tamland: I love lamp.
Ron Burgundy: Do you really love the lamp, or are you just saying it because you saw it?
Brick Tamland: I love lamp. I love lamp.
Brick Tamland. Channel 4 News Team.
Fig. 1 - 3 Jeremy (2014) 








###
Brick Tamland: I love... carpet.
[pause]
Brick Tamland: I love... desk.
Ron Burgundy: Brick, are you just looking at things in the office and saying that you love them?
Brick Tamland: I love lamp.
Ron Burgundy: Do you really love the lamp, or are you just saying it because you saw it?
Brick Tamland: I love lamp. I love lamp.

Brick Tamland. Channel 4 News Team.





Fig. 3 & 4 Bad (2014)

Collaborative intervention with Othmar Farré & Part 1 Gallery, Cologne.












#















that remain persistently evasive and in doing so to remind an audience that perhaps it is best to abandon any notion of solidified content, that maybe this concept of ‘meaning’ we lug around with us is unavoidably infected with some notion of ‘getting to the point‘. It is my aim to suggest that ‘the point’ is our experience and the experience is our meaning. My method in all mediums is (visibly) a process, a process that explores experience and is an experience, its focus is effects and its result is an effect.








I came here to tell you the perfect love story, but all I can see when I close my eyes is a giant hand, about the size of a grown man. The hand is giving the middle finger and is teetering on the back of a small rowing boat, several miles off the Icelandic coast. It has been sentenced to death. The hand is hard to make out, not least because of it being an unusual sight to behold (on a boat too!), but also because it’s the dead of night, and there is only a thin slice of moonlight illuminating the scene. Just as soon as I have a handle on its precarious form, the image shifts, as the hand topples off the back of the boat and slithers into the anonymity of the icy black water. The execution has begun.
The giant hand, still firmly locked in the middle finger position now begins to sink. As it descends slowly down through the dark water it never shifts from its defiant form, paying no heed to the bitter cold or awful white faces of the hunting bone sharks.
It’s at about a hundred feet now. All sense of up and down are gone. Everything is so black that time has been frozen out of meaning. ‘Nothing can exist here!’. Yet still the hand descends, protruding deeper and deeper into more remote and silent places.
At a thousand feet the pressure of the surrounding water is starting to take effect. Its brazen middle finger still stands upright, but the weight of the water from every side is beginning to buckle its form, like a marble vice closing in on an enormous lump of naughty warm butter. Soon it will be too much.
It must have been at around half an hour of freefalling when I thought I might get bored of the stupid hand. But trust the murky depths to throw up a remarkable surprise! Now of course I had expected the hand to begin to compress under the immense pressure of the ocean (and was somewhat looking forward to this process if I must confess), but the way in which it occurred I couldn’t have envisaged in my most wild of forecasts.  The process of constriction was apparently occurring upon the hand in perfectly equal measure and at exactly the same pace, the result being an apparent process of proportioned shrinking. And now look! Look! The hand has, under the unquantifiable strain of the water, reduced down to about the size of a human torso!  
I’m not sure what time it was, but If the condemned hand could have only seen, it would have known that it was now approaching the bottom of the ocean. In around a mile or so, there would be nowhere left to go! But by now it had shrunk down far below the reaches of human sight, and was in fact at just the right size for the plankton and diatoms to observe it’s obscene resilience. What a journey. What a sight! I will miss the hand, I cannot deny. But I regret nothing and shall not think of it again.







that remain persistently evasive and in doing so to remind an audience that perhaps it is best to abandon any notion of solidified content, that maybe this concept of ‘meaning’ we lug around with us is unavoidably infected with some notion of ‘getting to the point‘. It is my aim to suggest that ‘the point’ is our experience and the experience is our meaning. My method in all mediums is (visibly) a process, a process that explores experience and is an experience, its focus is effects and its result is an effect.





































Fig. 5 & 6 what if we never come down (2014) 

Collaborative work with Othmar Farré showed with Direktion. 

The 'Amelie' Movie Soundtrack plays inside the Mazda. Frankfurt am Main


he is she isn't



kunst power nicht

why they arewhy girls always losewhy girls always lose

what a couple!







s herself teaching the ways of sexuality to a 
group of












































objet peti

objectobjetobjet

t a







object petit a object petit a





ut of hatredthis for one another.A hideous, vindictive, spiteful couple live together in a brick house without windows.
They live with their abused family of pet monkeys. They 

continuously play practical jokes on each other out of hatred for one another.A hideous, vindictive, spiteful couple live together in a brick house without windows.
They live with their abused family of pet monkeys. They continuously play practical jokes on each other out of hatred for one another.A hideous, vindictive, spiteful couple live together in a brick house without windows.
They live with their abused family of pet monkeys. They continuously play practical jokes on each other out of hatred for one another.

























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Here are some useful tips to help you over Christmas.

Your partial postcode: 9AP Please refer to the Security section in the footer of this email for information about this.
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 For our upcoming event at tenletters we sent out an email that was not BCC'd. We are extremely sorry about this and apologize to everyone on our list. We value your privacy, and wish that this had never happened.


In the future you have our assurances this will not happen again.

For those of you who can make it, we hope to see you on December 18th!





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Here are some useful tips to help you over 

Your partial postcode: 9AP Please refer to the Security section in the footer of this email for information about this.
Is this email not displaying correctly? View it in your browser.
For our upcoming event at your mum's house we sent out an email that was not BCC'd. We are extremely sorry about this and apologize to everyone on our list. We value your privacy, and wish that this had never happened.

In the future you have our assurances this will not happen again.



For those of you who can make it, we hope to see you on December 18th!









this is still life


                                         






















I'm tired of selling bricks I wanna go legit
Smokin' rubber cushie


[Hook]

Jumped out the whip everybody looking




www.simonbuckley.net







Aber?]




(I(Remember that we sometimes demand definitions for the sake not of the content, but of their form. Our requirement is an architectural one: the definition is a kind of ornamental coping that supports nothing.)



























simon buckley art simon buckley art s
imon buckley art simon buckley art simon buckley art simon buckley art simon buckley art simon buckley art simon buckley art simon buckley art simon buckley art simon buckley art simon buckley art simon buckley art simon buckley art simon buckley art simon buckley art simon buckley art simon buckley art simon buckley art simon buckley artley art simon buckley art simon 


















 Roy got dead. That is sad.















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    THE FUTURE HATES YOU. REALISE THAT NOW AND  SPARE US ALL
    9 mins · Glasgow ·
    THUG WIFE
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    • Simon Buckley

    Simon Buckley shared Lidl's photo.
    50 mins ·

    Leckereien aus Griechenland gibt´s ab heute bei Lidl: http://bit.ly/1tDmbgk

Viele Grüße, Sabine
#lidl #griechenland
    Lidl
    Leckereien aus Griechenland gibt´s ab heute http://bit.ly/1tDmbgk

     

    bei Lidl:
    Viele Grüße, Sabine
    ‪#‎lidl‬ ‪#‎griechenland‬
    See Translation
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    • Simon Buckley

    Simon Buckley
    12 hrs · Glasgow ·
    Now with even more Germans:http://simonbuckley.blogspot.co.uk/










Sehr geehrte Damen und Herren,

das 1822-Forum der Frankfurter Sparkasse in der Fahrgasse 9 zeigt vom 11.
November bis 20. Dezember die Ausstellung "SURFACE" von SIMON BUCKLEY
Wasser, Licht und Zeit bestimmen die Arbeiten der an der Hochschule für
Gestaltung in Offenbach bei Martin Liebscher und Julika Rudelius
studierenden Künstlerin. Wesentliches Merkmal ihrer Fotografien ist die
Methode der Langzeitbelichtung, die sogar die Erdrotation und Bewegungen
von Kleinstlebewesen sichtbar machen kann. Die Videos lassen den Betrachter
in die Dynamik von Wasseroberflächen eintauchen.

Zur Vernissage am Montag, dem 10. November, von 19 bis 21 Uhr, darf ich Sie
im Namen der Stiftung der Frankfurter Sparkasse herzlich einladen. Um 20
Uhr führt Marc Ries in die Ausstellung ein.

Mit freundlichen Grüßen

K
























































                  


RENTAL ADVISORY : Aston Villa HYBRID ARTS.. 2020 ..THE SAGA CONTIN




































































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